Interview | Tim Gutteridge, translator

Tim Gutteridge has been a full-time translator since 1999, and works on a wide range of texts, including literary fiction, theatre, TV scripts, comics, academic articles and corporate communications. His recent translations include The Mountain That Eats Men by Ander Izagirre and the stage plays Jauría (Jordi Casanovas) and Tenant (Paco Gámez). His translation of Crocodile Tears by Mercedes Rosende, is published by Bitter Lemon Press.

Tell us a little bit about yourself
I was born and brought up in Scotland but I live in Cadiz, in the south of Spain, with my teenage kids and my two dogs.

When you were growing up, what books had an impact on you?
I was a big Moomins fan. I can still remember that sensation of disappearing into another world, an odd mixture of the comforting and the disconcerting. Continue reading Interview | Tim Gutteridge, translator

Interview | Sam Taylor, translator

Tell us a little bit about yourself
I grew up in England, worked as a journalist on The Observer for eight years, moved to France and wrote four novels, then translated my first novel (Laurent Binet’s HHhH) in 2010. Two years later, I moved to the US, where I now divide my time between writing and translating.

When you were growing up, what books had an impact on you?
The Lord of the Rings is the first book I remember loving. I was a big Italo Calvino (tr. William Weaver) fan as a teenager, Baron in the Trees in particular. I’ve always been attracted to fairytale-like stories that have aspects of the real world but also some magical difference.

How did your career as a translator come about?
Around 2009, I realized I could no longer make a living as a novelist, so I tried to think what else I could do to support my family. I was living in remote rural France, so journalism was out, but by then I could speak French fluently. So I asked my agent how I could become a literary translator. She put me in touch with editor Rebecca Carter (then at Harvill Secker), who advised me to write reader reports on French novels for UK publishers. The first one I wrote, luckily, was about HHhH. Continue reading Interview | Sam Taylor, translator

Interview | Aneesa Abbas Higgins | Translator of the Week

Tell us a little bit about yourself.
I grew up here in London – my father is Indian and my mother English, and at the time we were a fairly unusual family to say the least. I was always a great reader – and music has always played a big part in my life too. I’ve lived in America and in France – and I’ve travelled quite a bit, but now I spend most of my time either here in London, or in a small village in France. I sing in a choir, and spend most of my time when I’m not working either reading or coaxing my garden to grow. My family is very important to me.

Did you grow up learning and speaking different languages? What fiction in translation did you read, or rather, was available?
My father’s language is Urdu – but I grew up speaking English. I heard Urdu spoken around me, but not enough to learn to speak it myself, although I have made repeated efforts and I have made some progress. But I fell in love with French as soon as I started it at school. After that, I added German and Russian, but French was the language I absorbed the most thoroughly. As for fiction in translation, I’ve always been a voracious reader. As a child I read everything I could lay my hands on and never thought about whether or not it was translated. I remember my father reading me stories by Prem Chand when I had one of the childhood diseases we all used to succumb to, and I started reading the Russian classics as a very young teenager. Dostoyevsky’s The Idiot made a huge impression on me. And I read Anna Karenina for the first time around then too.
Continue reading Interview | Aneesa Abbas Higgins | Translator of the Week

Interview | Natasha Lehrer | Translator of the week

Tell us a little bit about yourself.
I think of myself as a Londoner born and bred, but in fact I’ve lived all over the place since I was a child. I’ve lived in northern California, Manchester, Oxford, Jerusalem and now Paris.

When you were growing up, what books had an impact on you?
I was always turning up to live in a new place with a funny accent that I had to shed if I wanted to have a hope of making friends. Perhaps unsurprisingly, I loved stories about misfits who came from foreign lands, and odd little girls who didn’t fit in. The Secret Garden, A Little Princess by Frances Hodgson Burnett, Bilgewater by Jane Gardam, The Diddakoi by Rumer Godden. And I adored the Norse myths. Continue reading Interview | Natasha Lehrer | Translator of the week

Interview | Charlotte Collins & Ruth Martin | Translator(s) of the Week

The Eighth Life (for Brilka) by Nino Haratischvili translated by Ruth Martin & Charlotte Collins, is published by Scribe UK on 14 November, 2019. @the_germanist @cctranslates @ScribeUKbooks

Tell us a little bit about yourself.
RM: I grew up in Cornwall, and did a first degree in English and a PhD in German literature. I’ve been a full-time translator for about eight years now, working on both fiction and non-fiction titles.
CC: I did a degree in English Literature, then went to drama school. I worked in theatre on and off for quite a long time. A schools tour took me to Germany in 1996, where I lived for nine years. I’ve also worked as a radio journalist, and started translating full-time in 2010.

When you were growing up, what books had an impact on you?
RM: My dad used to read the Just So Stories to me when I was quite little; he did the voices of all the animals. I think he enjoyed it as much as I did. Reading aloud to children is one of the best things a parent can do, in my opinion. I loved anything by Roald Dahl, too – he had a big influence on my sense of humour. Saturday was library day in our house and I would read my allocation of books, then my brother’s, then I’d start sneaking books off my parents’ piles and reading them in a tree at the bottom of the garden where I wouldn’t be found for a couple of hours.
CC: I was obsessed with Peter Pan. I was convinced that if I thought beautiful enough thoughts I’d be able to fly, even without fairy dust. My grandmother had to have a serious talk with me because I kept launching myself down the stairs. I had wonderful books – The Chronicles of Narnia, Maria Gripe’s Hugo and Josephine series (translated by Paul Britten Austin), Tom’s Midnight Garden, (I used to play in that garden; a schoolfriend lived in Philippa Pearce’s old house.) I loved Andrew Lang’s coloured fairy books; Yellow and Violet were my favourites. There were a lot of time-slip books, a lot in which a lonely child finds a friend, a lot with absent fathers who miraculously return. I can’t remember who started me off on the Brontës, but I read Wuthering Heights and Jane Eyre when I was about eight and would nag my poor grandparents to take me to Haworth every summer. Francis Spufford’s memoir The Child that Books Built beautifully explores the way we’re shaped, as children, by the books we read, the way we escape into their worlds. Continue reading Interview | Charlotte Collins & Ruth Martin | Translator(s) of the Week

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