Antony Thomas was making documentary films at a time in film and TV when leading producers and executives were backed by their organizations, could stand by their principles and get films made. Three very different commissioners – Charles Denton, Sheila Nevins and Tony Essex – gave him a free rein to make defining, bold films. They were not dominated by the obsession with ratings and chasing “subscriber loyalty”, or hampered by lawyers making risk-averse decisions to protect the brand, as is the case for factual entertainment today.
The daughter of immigrants, Bel Olid is a prizewinning writer, translator and teacher of literature and creative writing. The President of the European Council of Associations of Literary Translators, and President of the Association of Writers in Catalan, she is well known and well respected in Europe for her activism in defense of women and children.
“Those fleeing war are always better received than those trying to escape poverty, especially if the poverty is in a black skin, as if poverty isn’t a bomb that will end up killing you.” (page 14) Continue reading Review | Wilder Winds, Bel Olid | Fum d’Estampa Press
East London-based independent publisher Inkandescent “was ‘founded by outsiders for outsiders’ to celebrate original and diverse talent and to publish voices and stories the mainstream neglects – specifically those of the working class and financially disadvantaged, ethnic minorities, the LGBTQ+ community and, crossing the Venn diagram, those with physical disabilities and mental health issues,” write Justin David and Nathan Evans in their introduction to MAINSTREAM. Continue reading BookBlast® Discoveries | Top 5 Reads for Independent Minds from Inkandescent
The selected poems of Wanda Coleman, edited by the American poet Terrance Hayes, and published in the UK under the title Wicked Enchantment, has brought her back into the spotlight. Considered to be the unofficial poet laureate of Los Angeles, she died in 2013 age sixty-seven.
“Wanda Coleman, like Gwendolyn Brooks before her, has much to tell us about what it is like to be a poor black woman in America,” Tony Magistrale, Black American Literature Forum Continue reading Review | Wicked Enchantment selected poems by Wanda Coleman (Ed.) Terrance Hayes
Andrea Jeftanovic’s Theatre of War takes place over three acts and many scenes, and is acted out on various stages. True to its title, this is theatre in the shape of a novel, with the narrative being revealed to us in fragments, snapshots and scenes, rather than a continuous, flowing chronology. Often, however, of greater importance is what happens offstage, backstage, in the wings, behind the curtains, in the side corridors. The muffled voices, the memories, now louder, now quieter, echoes, dress rehearsals, the rumble of props being moved, the silence of anticipation, of waiting, of remembering.
“The curtain rises on the shadowy dining room of my first home. Some familiar objects: the stone statues and the flattened wolf hide. In the corner sits a table with five chairs; the one at the head wobbles. The wallpaper is stamped with faded rosettes. The spectacle of my childhood begins. Repeatedly changing houses, we are unable to anchor ourselves to any fixed point.” (p. 3)