Elton Mayo was born in Australia one hundred years ago this month (on December 26, 1880) and died in a nursing home in Guildford almost sixty-nine years later. Towards the end of his life, through his association with the Harvard Business School and the Hawthorne Studies, he enjoyed a public acclaim granted to few social scientists of his day. None however would have envied him the fall from grace which was to follow his death. By the mid-1950s, the terms ‘Mayoism’ and ‘Mayoite’ were recognised additions to the perjorative vocabulary of social science. In 1946 an overblown account of his work in Fortune compared him to Thorsten Veblen and John Dewey, praising his erudition, rare authority and beneficent influence on labour-management relations. Yet a decade later, in his influential monograph Hawthorne Revisited, Landsberger was obliged to devote a whole chapter to the deficiencies of Mayo, as listed by such critics as Daniel Bell, Reinhard Bendix, John Dunlop, Clark Kerr, C. Wright Mills and Wilbert Moore. Charges of conceptual ineptitude and of theoretical and methodological narrowness formed only part of the indictment: Mayo’s emphasis on industrial collaboration was said to ignore central economic and political issues (notably the functions of trade unions) and to relegate industrial social science to the role of a managerial or ‘cow’-sociology.
BookBlast® was founded in 1997 to give voice to new or neglected writers, and to showcase world writing. The agency was one of the first in the UK to adopt online technology — the company website went live in 2000. It was selected by the curators of Bodleian Electronic Archives and Manuscripts, Bodleian Libraries, Oxford, as being of lasting research value and worthy of permanent preservation in the Web Archive of the Bodleian Libraries in March 2015.
At a young age, I was introduced to writers, stories and imaginary worlds from many lands. To cross cultural boundaries and explore alternate ways of seeing and being is a great gift to give a child.
Sorting through the BookBlast agency archive has thrown up happy and sad memories, not only in terms of the projects and writers I have been lucky enough to collaborate with, but also the visionary commissioning editors who backed untried-and-tested writers and projects.
The BookBlast® Diary
The BookBlast® Diary is the offspring of BookBlast® writing agency which was founded in 1997. Georgia de Chamberet was dubbed “L’enfant terrible of British publishing” by Le Figaro newspaper. BookBlast® has always been cosmopolitan in spirit, and gravitates towards the best independent-spirited and diverse writing.
A brand is your personality, so the saying goes. In the same vein as Flaubert’s statement that “Madame Bovary c’est moi“, I often say that “BookBlast® c’est moi“. As a blasty kind of person, I am an active idealist when it comes to cross-pollinating ideas, connecting the dots and contributing to making major writing projects happen, by whatever means possible.
The agency’s early successes include Empire Windrush: Fifty Years of Writing About Black Britain ed. Onyekachi Wambu; and XCiTés: the Flamingo Book of New French Writing which showcased a new generation of French writers unpublished and unknown in English at the time — Frédéric Beigbeder, Tonino Benacquista, Virginie Despentes, Michel Houellebecq, Abdourahman Waberi among them. I have moved from a background in print anthologies to curate an ever-expanding online anthology showcasing the best of independent publishing.
BookBlast® Celebrates Independent Publishing
Books and writing and ideas are to be savoured as slow reads: an antidote to the demands of the hectic world around us. Independence matters in this increasingly corporate age.
Mavericks from a ‘traditional’ book publishing background, alongside newcomers, have embraced the new digital opportunities on offer. Indie publishers like Peirene Press, Comma Press, Darf Publishers and Bitter Lemon Press are showcasing writers from around the world. And Other Stories, Unbound and The Pigeonhole are successfully applying new business models to their ventures. Many of the new breed of indie booksellers are releasing their own books thanks to the digital revolution. Book buyers who choose to support indie bookshops know they will get great service and stumble upon titles they have never heard of − with the added bonus that to support your local economy feels good. The Hive Network and Wordery offer readers a combination of high street and 24-hour online retailing. Whether reading printed books, on an e-reader or a tablet, we are lucky to have such choice. Independence matters!
Continue reading Viva BookBlast! | est. 1997