“Since I came to Istanbul in 1951, I have always said I was of Kurdish origin and that I had been sentenced to jail for being a communist. Later on, in interviews, I continued to say the same thing. I was one of the first writers to claim his Kurdish heritage. In 1997, I was questioned on this matter in Germany. I confirmed I am a writer writing in the Turkish language. I have never written a line in Kurdish, but I am Kurd. In many of my books, the heroes carry Kurdish names or nicknames. I never repudiated my Kurdish identity, part of my family comes from the Caucasus; they are Turkmen who fought against the (Russian) Tsar and later came as refugees to Turkey, first to Bursa, then to Van, where one of my grandfathers married the daughter of a Kurdish bey. As if that were not enough, there is also some Assyrian blood in my family, but all of Anatolia is like that. My advantage is that although many people in Anatolia don’t know the Kurdish language, I know it and speak it. But I cannot read and write it. When the writer Mehmet Uzun read me his book written in Kurdish, I understood everything, but I could not have read it for myself.” [Extract from an interview with Kemal Sadik Gökçeli published in The Middle East magazine, 2002]
Kemal Sadik Gökçeli worked as a journalist for Cumhuriyet from 1951-63 before turning to fiction. He wrote under a pseudonym: Yachar Kemal. As Turkey’s most prominent novelist, his books have been published in numerous languages, and he has been showered with international awards. In 1973 he was nominated for the Nobel Prize for literature.
Continue reading Review | Pêcheurs d’êponges, Yachar Kemal | Editions Bleu autour
Duncan Fallowell is an English novelist, travel writer and critic. He has also worked with the German group, Can, on musical projects. How to Disappear: A Memoir for Misfits − described as ‘brilliant and haunting’ by Alan Hollinghurst in the Guardian − won the 2012 PEN Ackerley Prize. Fallowell is at his characteristically provocative and entertaining best in Three Romes. His most recent publication is the long essay, The Rise and Fall of the Celebrity Interview. He has just been elected a Fellow of the Royal Society of Literature.
Your favourite virtue?
Honesty, which is a motive. There is a world of difference between someone trying to be honest and someone trying to deceive. I also admire people who refrain from pontificating on matters of which they are ignorant.
Your favourite qualities in a man?
Your favourite qualities in a woman?
Continue reading Interview, Proust’s Questionnaire | Duncan Fallowell, author
As the highlight of this special event for International Women’s Day, Elisa Segrave examines stories from her mother’s hitherto hidden wartime experiences at Bletchley Park, Bomber Command and post-war Germany. Georgia de Chamberet takes a look at the life and many worlds of Lesley Blanch, a woman whose aura of seductive glamour and erudition inspired the generation that followed her. Chaired by Claudia Fitzherbert, books editor of The Oldie.
During the day there will be numerous author signings by women who write about women, including Dame Professor Hermione Lee and Amy Mason. So come along for a bit of book browsing and then stay on for the talk and a glass of wine afterwards.
Lesley’s memoir ON THE WILDER SHORES OF LOVE: A Bohemian Life is published by Virago. Elisa’s memoir THE GIRL FROM STATION X: My Mother’s Unknown Life is published by Aurum Press.
Tickets £5 / £3 For Waterstones Cardholders
At: Waterstones, Broad Street, Oxford, OX1 3AF
Call: 01865 790212
Continue reading Media Release | International Women’s Day | Waterstone’s, Oxford, March 2015
The BookBlast® Diary
The BookBlast® Diary is the offspring of BookBlast® writing agency which was founded in 1997. Georgia de Chamberet was dubbed “L’enfant terrible of British publishing” by Le Figaro newspaper. BookBlast® has always been cosmopolitan in spirit, and gravitates towards the best independent-spirited and diverse writing.
A brand is your personality, so the saying goes. In the same vein as Flaubert’s statement that “Madame Bovary c’est moi“, I often say that “BookBlast® c’est moi“. As a blasty kind of person, I am an active idealist when it comes to cross-pollinating ideas, connecting the dots and contributing to making major writing projects happen, by whatever means possible.
The agency’s early successes include Empire Windrush: Fifty Years of Writing About Black Britain ed. Onyekachi Wambu; and XCiTés: the Flamingo Book of New French Writing which showcased a new generation of French writers unpublished and unknown in English at the time — Frédéric Beigbeder, Tonino Benacquista, Virginie Despentes, Michel Houellebecq, Abdourahman Waberi among them. I have moved from a background in print anthologies to curate an ever-expanding online anthology showcasing the best of independent publishing.
BookBlast® Celebrates Independent Publishing
Books and writing and ideas are to be savoured as slow reads: an antidote to the demands of the hectic world around us. Independence matters in this increasingly corporate age.
Mavericks from a ‘traditional’ book publishing background, alongside newcomers, have embraced the new digital opportunities on offer. Indie publishers like Peirene Press, Comma Press, Darf Publishers and Bitter Lemon Press are showcasing writers from around the world. And Other Stories, Unbound and The Pigeonhole are successfully applying new business models to their ventures. Many of the new breed of indie booksellers are releasing their own books thanks to the digital revolution. Book buyers who choose to support indie bookshops know they will get great service and stumble upon titles they have never heard of − with the added bonus that to support your local economy feels good. The Hive Network and Wordery offer readers a combination of high street and 24-hour online retailing. Whether reading printed books, on an e-reader or a tablet, we are lucky to have such choice. Independence matters!
Continue reading Viva BookBlast! | est. 1997