Join us for a glass of wine to toast the publication of Far To Go and Many To Love: People and Places by Lesley Blanch — the sequel to her posthumous memoirs, On the Wilder Shores of Love: A Bohemian Life, published by Virago (2015).
Tickets include wine and are redeemable against books purchased.
Lesley Blanch was Features Editor of British Vogue 1937-45. During the Second World War, she was on the front line of women journalists covering a wide range of topics, and documented the lives of women in the forces with her friend the photographer Lee Miller.
This is the story of The Women ― today, as Clare Boothe Luce never imagined them yesterday. An all-star, all-women cast, it’s true, but there the resemblance ceases. These women are playing their parts in a world drama, but they remain limelight dodgers. And the scene is no demi-paradise of beauty parlours but the wild hills and lochs of Western Scotland.
Here, in pitching little boats, cutting through the mists and gales, on the big depot ship, swarming up and down plunging rope ladders, balanced, cat-like, to walk along the perilous jutting booms, picked Wrens undergo their boats-crew training. Or work as visual signallers, or service the torpedoes and depth charges aboard the motor torpedo boats and corvettes in the clanging uproar and grime of the Naval bases. One and all disprove the old wives’ or rather the old-fashioned husbands’ tale that woman’s place is the home, that women can’t get on together.
Joe Boyd, the record and film producer, whose memoir White Bicycles: Making Music in the Sixties has sold 75,000 copies worldwide, interviewed the late Lesley Blanch for The Guardian in 2005. They shared a love of Bulgarian gypsy music.
He and a panel of guests will discuss The Wilder Shores of Love, Lesley Blanch’s “cult book which pioneered a new approach to history writing,” on BBC Radio 4’s A Good Read, 31 March at 4.30pm.
Here is Joe on YouTube talking about Amoeba Music and some of his favourite albums from the sixties.
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