The multimedia artist, Graham Fink, is one of the world’s most awarded creatives. Formerly at Ogilvy China, his decades-long career has included senior creative posts at CDP, GGT and M&C Saatchi. Some of his most well-known work includes British Airways’ Face, PlayStation’s Blood and Mental Wealth poster campaigns, and Coke hands, Coca-Cola’s most-awarded ad.
He has developed software which enables him to draw with his eyes, and is agent to the AI robot, Sophia, at Hanson Robotics. His latest exhibition In Transition at VVA VirginiaVisualArts, a new contemporary gallery space in Central London, is on until 10 April.
Continue reading Spotlight | John-Paul Pryor & Graham Fink in conversation | Mortimer House, Fitzrovia W1
#Marina Warner, President of the Royal Society of Literature, announcing the arrival of the Choix Goncourt in the UK, said: “When the date of this event was set, nobody knew that a crucial election would be taking place. In the light of what has happened, I feel alarmed and frightened of the future. I am therefore proud to be marking a moment of Franco-British solidarity. The spirit of European culture built on the common ground of imagination and a long intertwined history is under strain, but it shall not be broken . . .” Continue reading Spotlight | The Choix #Goncourt UK | @AcadGoncourt @RSLiterature @Edlolivier @maclehosepress
Translation is no longer marginalised as it once was, with its advocates being viewed as quirky oddballs lacking commercial sense and sensibility. The number of independent presses publishing translated literature in the UK has greatly increased in the past decade, often set up by people with a corporate publishing or banking background who are astute operators. Booksellers are far less curmudgeonly than they once were. And somewhat unexpectedly, in 2015, Amazon Crossing published three times more translated fiction in the US than its closest competitors in America (FSG, which has a long tradition of publishing works in translation, and Atria, which mostly publishes books by celebrities).
The imprints of conglomerate publishers in the UK who publish works in translation – MacLehose Press, Harvill Secker, Sceptre, Vintage, Weidenfeld & Nicolson, Penguin Press – publish predominantly though not exclusively the sub-genre of crime fiction in translation, leaving the field open for the likes of Alma Books, And Other Stories, Arc, Carcanet, Comma Press, Dedalus, Fitzcarraldo, Les Fugitives, Gallic, Granta, Hesperus, Istros, Jantar, Norvik Press, Peirene Press, Portobello Books, Pushkin Press, Saqi Books, Scribe UK, Small Axes, and others, to publish experimental and literary translation. Continue reading Spotlight | The 2019 Warwick Prize for Women in Translation
The Frankfurter Buchmesse which is happening this week takes place over five days every October. It is the world’s largest trade fair for books and is THE place to be for publishers, agents, authors, illustrators, film producers, translators, and representatives from trade associations to network and do business. It attracts more visitors than any other book fair.
However the smaller local, regional book fairs are less daunting to visit, and are great opportunities to bring new books to a variety of readers and local communities. They are also more likely to showcase a greater variety of independent small publishers and private presses.
Susan Curtis, founder and MD of Istros Books in London which publishes translated literature from the Balkans and South-East Europe, wrote a special report for us about her recent visit to Montenegro to attend The Podgorica International Book Fair, 1-5 October, 2019. Continue reading Guest Feature | Susan Curtis @Istros_books | Podgorica International Book Fair 2019, Montenegro
“So many books have been written with Paris as a character and there are so many clichés about its seductive beauty, as a writer you need to find your Paris and step away from the great dark magnet that it is. Often the dark Paris is what is most interesting.” Alicia Drake
The vision of Paris as an intellectual’s city with writers and artists chain-smoking on café terraces, arguing about literature, art and Existentialism has been consigned to the attic by most contemporary novelists at work today who are worth reading. Tatiana de Rosnay and Alicia Drake are two such writers whose vision of the City of Light is anything but a picture postcard. They graced the stage at this year’s Beyond Words French Literature Festival at the French Institute in South Kensington.
There is, of course, some superb non fiction on offer which gives a genuine, riveting, and rather more leftfield take beyond the usual stereotypical reads – my favourite being the memoirs of late, great John Calder who I was lucky enough to know. The Garden of Eros: The Story of the Paris Expatriates and the Post-war Literary Scene is essential reading for anyone curious about visionary entrepreneurs operating in the publishing industry of yesteryear, and the Paris-London-New York golden triangle.
A forgotten Paris is described by the late Lesley Blanch in her memoirs On the Wilder Shores of Love: A Bohemian Life (Virago) in which she describes Russian Paris of the 1920s with theatre director, Theodore Komisarjevsky, and the beleaguered capital in 1945 when she was there with her younger husband Romain Gary, ambitious and unknown. “Romain developed a hunger for the atmosphere of the studios where a circle of newer artists worked. Long evenings would be spent trudging along the icy ill-lit streets and interminable boulevards. Public transport was scarce, very few people had cars then, and we had no money for taxis, which were rare.“ Continue reading Spotlight | Tatiana de Rosnay, Alicia Drake & Daughters of Simone de Beauvoir | Beyond Words French Literature Festival 2019