This welcome collection contains twenty-seven short stories by six influential Spanish women writers, written over the past one hundred and twenty years. The translations are fluent and easily readable, the editing ‘light-touch’ and unobtrusive.
One surprising feature of the stories is the constancy of the themes they address. The stories concentrate on marginalized, frustrated women, their lives stunted by male prejudice and violence. While the formats change, the key issues remain.
A prolific and acclaimed writer in his Italian homeland, Erri De Luca’s thought-provoking, philosophical investigation builds in suspense ending with an emotional bomb. Although a work of fiction, to what extent Impossible is inspired by his actual experiences of being sued for an alleged incitement to sabotage to the Lyon-Turin high speed train line on environmental grounds is open for debate. (De Luca was cleared on 19 October 2015 when a not-guilty verdict was pronounced.)
A senator from the centre-left Democratic party supportive of the high speed train line, referred to De Luca as being a relic of the ‘years of lead’, the restless political period of the 1970s-‘80s when left-and-right-wing activists carried out numerous violent attacks, including the abduction and murder of former Prime Minister, Aldo Moro.
Héloïse Press champions world-wide female talent by giving voice to emerging and well-established female writers from home and abroad. Erica Mou (b. 1990) studied Literature, Publishing and Journalism at the University of Bari. She is an Italian singer-songwriter and the recipient of numerous international awards. Thirsty Sea, winner of the Readers’ Award of the Lungano Literary Festival 2020, is her debut novel. Erica wrote this book at the kitchen table of her rented accommodation in London.
The image maybe be near-perfect but what lies behind it? Inside a person is like inside the sea: all that lies beneath the surface is not immediately visible.
Nicola is an aeroplane pilot, a very good cook and the ideal son-in-law. He is “the kind of person who doesn’t kill spiders but catches them in jars and frees them out of the window”. He is a perfect catch for Maria who runs an oddball eco-friendly business. As a gift-buying consultant, she is paid by clients to come up with ideas for presents. So her shop is just a big empty space with a table, a chair and a phallic sculpture in the corner reminiscent of Rocking Machine, the art piece created by Dutch sculptor and artist Herman Makkink for Stanley Kubrick’s film A Clockwork Orange. There is “nothing on sale, no shelves, just brilliant ideas.”
Afghan women have been in the news again since the Taliban have banned Voice of America, the BBC and Deutsche Welle after women students and teachers protested peacefully in response to secondary schools for girls being shut down. Writing in Afghanistan is once again a taboo craft for women.
As a schoolteacher put it: “The Taliban are scared of an educated girl. When a girl is educated, a family will be educated. And when a family is educated, a nation will be educated. Ultimately, an educated nation will never, ever nourish the motives of terrorists.” www.democracynow.org
“My name is Fatima Daas. The name of a girl from Clichy who crosses the tracks to get to school.”
An autobiographical first novel, The Last One tells the story of Fatima and her family. The confusing polarities between different worlds and cultures that are portrayed sparked an intense Media debate in France. Although based on true events and experiences, Fatima Daas changed certain aspects in order to be free to write what she wanted, and convey her feelings about specific events. Continue reading Review | The Last One, Fatima Daas, trs. Lara Vergnaud | HopeRoad Publishing