Interview | Sam Jordison, co-founder, Galley Beggar Press | Indie Publisher of the Week

Are (were) your parents great readers? Tell us a bit about yourself.
Yes, my parents were very encouraging. Always recommending books and passing things on to me, reading to me as a child, finding new things for me to read, feeding my Roald Dahl habit . . . My Mum was a librarian too.  

Did you want to work in the publishing industry from the start?
Depends how you define start!  I started out writing books and working as a journalist (mainly writing about books) – and those experiences led me into publishing. But I’ve wanted to be around books ever since I realised I couldn’t sing and would never be Mick Jagger

Has your vision from when you started Galley Beggar five years ago changed?
Not really. Our hope has always just been to publish the very best quality books we can. I guess the thing that has changed is that we now hope to really be able to nurture our writers and keep publishing them, and keep doing the best editorial and production jobs we can for them . . . So we’re looking at careers as well as individual books. But that was something we aspired to quite early on. I suppose the change is that we have a track record now, so don’t have that element of surprise or coming from nowhere. But I still feel and hope we offer something different. Continue reading Interview | Sam Jordison, co-founder, Galley Beggar Press | Indie Publisher of the Week

Interview | Megan Dunn | Author of the Week

Where were you born, and where did you grow up?
I was born in Invercargill, a small city at the bottom of the South Island in New Zealand. But my formative years (if they ever ended) were spent in Rotorua, a tourist town in the centre of the North Island. Rotorua – “Rotovegas” to the locals – is stepped in Maori history and is a geothermal wonderland known for strong wafts of sulphur, hokey motels and hotels, putt-putt golf. The McDonalds in Rotorua has Maori carvings on the walls.

What sorts of books were in your family home? Who were early formative influences?
I grew up in a flat above an old peoples home with my single parent Mum, who was a night nurse for the elderly residents downstairs. The sign at the top of our drive read: “Residence for the Elderly,” I walked past it to school every day. Books: loads. From Men and their Mothers, and other pop psychology, to Sweet Valley High. At fourteen, I read Henry Miller’s Tropic of Cancer on the back porch, while the elderly residents ate shortbread and drank tea in the lounge below me. They read Mills and Boons in large print, when they weren’t listening to the TV. Continue reading Interview | Megan Dunn | Author of the Week

Review | So the Doves, Heidi James | Book of the Week

Why was he so curious? Perhaps it was partly because of her mystique, her hold over him, and partly because her world was not his. Were they really so different? Maybe they were and maybe he believed that if he could only figure her out, emulate her – her gestures, her attitude – then maybe he could be invincible, extraordinary, like her.”

The novel tells the story of Marcus Murray, “forty-ish with a small paunch and a few grey hairs,” and his fascination with gorgeous free-spirit, Melanie, who had disappeared when he was seventeen. “It’s as if she was a figment of my imagination . . .” Not only is there a dead body virtually on the first page, but also a missing person, presumed dead.

A stylish psychological thriller, So the Doves is concerned with the moral legacy of Thatcherism; truth and lies and the death of idealism; what is real and what is imagined; small town decay; violence and intolerance in their various ugly forms. Continue reading Review | So the Doves, Heidi James | Book of the Week

Interview | Heidi James | Author of the Week

Where were you born, and where did you grow up?
I was born in Chatham in Kent and grew up in the surrounding towns – called the Medway towns – so in and around Rochester, Chatham (on various estates), Gillingham. I left when I was seventeen and moved to London, but even though I’ve not lived there for a long time, Medway remains a potent influence.

What sorts of books were in your family home? Who were early formative influences?
My mother and grandmother were avid readers, and I was taught to read and love books from a very early age; but they were busy, working class women who’d left school early so the books in our homes tended to be Catherine Cookson and romances, Mills and Boon etc. Having said that I had lots of classic children’s books and I had a couple of teachers who were pretty amazing in encouraging me to read widely. When I was teenager I skipped school to go the library in town and would read anything and everything curled up in a chair by a window that looked out over the River Medway. I read a lot of Dickens, Daphne du Maurier and Stephen King. I used to read any of the Penguin Classics, because that seemed to be a foolproof method of reading; I was hungry to learn, but hated school. I suppose my earliest influences that I was consciously reading to learn to write were Angela Carter, Plath and Sexton and John Steinbeck. I loved his work.
Continue reading Interview | Heidi James | Author of the Week

Guest Review | C. J. Schüler | Go, Went, Gone, Jenny Erpenbeck

On 9 November, the German newspaper Der Tagesspiegel published a list of 33,293 people who died trying to emigrate to Europe between 1993 and May of this year. The vast majority drowned in the Mediterranean. As a death toll, the figure is numbing. As a proportion of the EU’s population of 510 million, it is less than 0.007 percent – smaller than the population of, say, Skelmersdale or Haywards Heath – an influx that could easily be accommodated within our large, wealthy continent.

Jenny Erpenbeck, the brilliant German novelist whose four previous books have probed her country’s troubled 20th century history, has now turned to the greatest challenge it has faced in the 21st: the refugee crisis. Her latest book, Go, Went, Gone, eschews the magical realist elements of its predecessors in favour of a crisp documentary approach. It also draws on that classically German genre, the Bildungsroman, a novel charting the moral education of its protagonist. Continue reading Guest Review | C. J. Schüler | Go, Went, Gone, Jenny Erpenbeck

Review | Translation as Transhumance, Mireille Gansel | Book of the Week

In this beautiful memoir of a life lived in and through translation, Mireille Gansel defines the process of bringing words from one language to another as a kind of seeking, tied to the land. Transhumance refers to the seasonal movement of a shepherd and his flock to another land, or humus. It is the opposite of settling and farming: it is a form of nomadism, a search for richer grass, and it provides an apt image for her own trajectory as a translator.” From the foreword by Lauren Elkin

Translation as Transhumance is a rich and resonant read. The lucid, concise prose of award-winning translator, Ros Schwartz, brings alive an exceptional life dedicated to translation as activism. At the book’s launch in Caravansérail, the French-English bookshop and gallery near Brick Lane in the East End, Mireille Gansel spoke to a packed audience about the adventure of translation, of how “it gives you something – a perception of the other,” and of how “Langue natale is not mother tongue, it is a native language. For me it means the language where you come to the world, where you are born to yourself, discover yourself – you are inside intimacy.” A powerful, humanitarian empathy lies beneath Gansel’s narrative. “You end up translating the spirit and the sense of what is underneath the words . . .” said Ros Schwartz, “This book articulated so many things for me that were half-formed ideas, thoughts, about what I do.” Continue reading Review | Translation as Transhumance, Mireille Gansel | Book of the Week

Interview | Cécile Menon, founder, Les Fugitives | Indie Publisher of the Week

Are (were) your parents great readers? Tell us a bit about yourself.
My mother was a reader. Of modern classics mainly. She used to go with her father to the local library in our small home town. There weren’t hundreds of books in the house as I grew up, but enough to spur my interest.

Did you want to work in the publishing industry from the start?
Yes, I wanted to work in publishing, and in England, after obtaining my degree at Sorbonne Nouvelle. I had no connections whatsoever, I was a complete outsider. My MA tutor told me right away it’d take me 10 years to get anywhere in that milieu. I didn’t believe him but he was right. After 10 years, even after I had somehow managed to get hired by the venerable John Calder, Judy Daish and Clive James, I was nowhere near a proper start in publishing. Having said that I was never really good at holding down a job! Working for Clive James was obviously a unique experience with a long-lasting influence on me. Continue reading Interview | Cécile Menon, founder, Les Fugitives | Indie Publisher of the Week

Interview | Ros Schwartz | Translator of the Week

Tell us a little bit about yourself.
I dropped out of university in the early 1970s and ran away to Paris where I spent eight years soaking up the French language and culture. I enrolled at the radical university of Vincennes and did various jobs, from telephone operator on the SNCF enquiries line to picking grapes, milking goats and teaching English in companies. When I came back to the UK in 1981, I found that I was unemployable, so I announced myself as a translator.

When you were growing up, what books had an impact on you?
I lived in a house full of books. My father collected books and had very eclectic tastes. We used to go to Portobello Road market together every Saturday and he taught me how to identify a first edition. I had unrestricted access to his entire library. We lived in a small suburban house where there was no privacy. I shared a bedroom with my sister and the only place I could be alone was the loo. During school holidays, I think I spent most of my waking hours locked in the toilet with a book. I was a serial reader, so I’d find an author and then read everything by them. I graduated from Enid Blyton to Angela Brazil – I loved boarding school stories – and Agatha Christie. As an older teenager, it was Sartre and Camus, Zola and Isaac Bashevis Singer. Continue reading Interview | Ros Schwartz | Translator of the Week

BookBlasts® | Top 10 Reads for Independent Minds | November 2017

Our eclectic November top ten reads rejoice in strong women and have a radical, cosmopolitan flavour. We continue our celebration of 15 years of the Childrens’ Bookshow, highlighting two more books featured in this year’s tour. Happy reading! Georgia @bookblast

Strong Women

teffi pushkin press bookblast diary reviewRasputin and Other Ironies by Teffi (Pushkin Press) buy here
Translated by Robert Chandler, Elizabeth Chandler, Rose France, Anne Marie Jackson

A semi-literate peasant and a counsellor to the Tsar, a hardened sinner and a man of prayer, a shape-shifter with the name of God on his lips. They called him cunning. Was there really nothing to him but cunning?  I shall tell you about my two brief encounters with him . . .” Teffi’s portrait of Rasputin, and her description of his unwanted advances, is a disturbing reminder of how sex-pests using positions of power to get their dirty way are not a new phenomenon.  All of the women saying #MeToo on Twitter are standing on the shoulders of the women who came before them.

Grigori Rasputin holding court in 1911
Grigori Rasputin holding court in 1911 Photo Topical Press AgencyGetty Images

Nadezhda Aleksandrovna Lokhvitskaya – who wrote under the pseudonym Teffi – was born in 1872 into a family prominent in Saint Petersburg society. An essayist, poet and playwright, she became so popular that there were Teffi sweets and a Teffi perfume. She supported socialism and the 1905 revolution, and worked for the first Bolshevik paper, New Life, which was later shut down by the Leninist authorities. She left Russia in 1919 and settled in France, where she died in 1952. Her engaging, witty and empathic writing belies a bleak undertow of loss and nostalgia for lost worlds as she writes about life before the revolution, fellow writers, emigration, and life in Paris.

Oriana Fallaci by Cristina de Stefano (Other Press) buy here
Translated from the Italian by Marina Harss

I’ve always been political in my writing, actions and life. I grew up in a political family. I was educated in politics . . . The risk of Fascism is my fixation,” wrote Oriana Fallaci. Continue reading BookBlasts® | Top 10 Reads for Independent Minds | November 2017

BookBlast® Archive | Elton Mayo, The Problem of Working Together | Lecture delivered April 30, 1932 nationwide over NBC radio

Elton Mayo’s pioneering research at a Western Electric Company manufacturing plant near Chicago between 1924 and 1933 represents one of the most important historical events in the development of Industrial Organization psychology. This body of research, collectively referred to as the Hawthorne Studies (named from the plant in which they took place), was influential in the development of the human relations movement and triggered research and debate into what it is that drives human behaviour at work.

We need, especially, to solve the problem of working together. There is no problem of greater importance at the present time. Every nation of the civilized world is facing one of the most serious economic and social crises in its history. And in every national group, though perhaps in varying degrees, there is difficulty in achieving effective co-operation, both within the group and internationally with other groups. One frequently hears the assertion that the present emergency is remarkable by reason of the lack of effective leadership. What is meant by this, more often than not, is that in this large-scale modern world we have failed to make special studies of the conditions that make for effective human co-operation.

The problem exists in industry and is no less important in the industrial than in the national situation. It exists in an especially intense form in the industries of the United States because here the personnel of a Iarge industry usually consists of “strangers drawn from the ends of the earth.” Even where this is not wholly true, the personnel generally have no common life outside the plant. Consequently the need for developing a common life within the plant, a capacity for working together effectively, is more urgent here than in other countries. Continue reading BookBlast® Archive | Elton Mayo, The Problem of Working Together | Lecture delivered April 30, 1932 nationwide over NBC radio