We live in an increasingly polarised mad and maddening world seemingly going from bad to worse. The hunger for “how to be happy” and “how to achieve more success in life” top tips type reading fodder is countered by our apparent preference for bad news over the good, (motivated by schadenfreude, a heightened vigilance for threats thanks to a daily Media diet of disasters, shock value . . . or so the thinking goes).
If it bleeds, it leads
Sam Jordison’s series Crap Towns became a cult hit. Now he has pulled another winner out of his hat – The 10 Worst of Everything: The Big Book of Bad. It is an entertaining and thoroughly-researched book of alternative general knowledge. Factual and informative lists ranging across the natural world, history, popular culture, sports, food, medicine, science, economics, politics, drugs, divorce and crystal-ball gazing balls-ups are seasoned with tongue-in-cheek personal asides. It is a particularly cheering read if your own life is in the doldrums, or for some Christmas fun and games. So quiz each other and laugh when no one knows the answers: there is invariably someone worse off than you! Continue reading Review | The 10 Worst of Everything: The Big Book of Bad, Sam Jordison | Book of the Week
Andrew Crumey: “Art is the expression of value and science is the explanation of phenomena . . . I’m interested in the borderline of the explanatory and the expressive.”
Alasdair Gray, James Kelman, A.L. Kennedy, Allan Massie, Val McDermid, Andrew O’Hagan, Ian Rankin, Ali Smith, Irvine Welsh, Alan Warner . . . the list of fine Scottish writers is a long one.
Andrew Crumey was in conversation with doyenne of translators, Margaret Jull Costa, and Eric Lane, founder of Dedalus Books at the opening event of the BookBlast 10×10 Tour at Waterstones in Gower Street, Bloomsbury, on 11 September. HEAR HERE
On a night of political disunity and meltdown as Brexit hit the buffers, we were delighted to host the final event of this year’s inaugural BookBlast 10×10 tour at WestBank Art & Music in Thorpe Close, W10, under the Westway.
Kit Caless from INFLUX PRESS led the discussion with Susan from ISTROS BOOKS and Elizabeth from SAQI BOOKS about how #indiepubs play such an important role in the cultural ecosystem; translation, rigid mindsets and choosing to publish books written without market trends in mind; the importance of buying books directly from #indiepubs websites; how best to access buyers at the major bookselling chains deciding on what and how much to purchase (tricky in some instances when there is just one fiction buyer for a whole chain!).
The audience of publishing consultants, book distributors, bloggers, indie film makers, readers and writers raised the issues of how Amazon goes after publisher profit margins with crippling consequences for indies; and the lack of publicity in the Media which is ironic given the growing demand for eclectic, nongeneric, unconventional writing of the kind that is supplied by the smaller publishers who are regularly winning prizes. Continue reading Latest News | It’s a wrap! The BookBlast 10×10 Tour in association with Waterstones
“Too poetical that about the sad. Music did that. Music hath charms. Shakespeare said. Quotations every day in the year. To be or not to be. Wisdom while you wait.” – James Joyce
“What is modernism?” was one of the questions addressed during the recent BookBlast 10×10 Tour talk held in Waterstones, Norwich, featuring Galley Beggar Press authors Alex Pheby (hailed as “the new Beckett” by Stephen Bumphrey on BBC Radio Norfolk), Paul Stanbridge and Paul Ewen.
“Modernism consists of fragments put back together to make a whole out of disunity,” was one answer, “Being aware of the text and stepping outside it,” was another . . . along with stream of consciousness, multiple points of view, dense allusions, ambiguity and a phenomenal play of words on the page.Continue reading Review | Dedalus, Chris McCabe | Book of the Week
Where were you born, and where did you grow up? Mill Road hospital Liverpool, and then in Liverpool (built on the site of a Victorian workhouse), until moving to London in my early twenties. I now live in Liverpool and work in London.
What sorts of books were in your family home? My dad was an autodidact, acquiring a good collection of books through joining various book clubs. As a result there was an impressively wide range of books on our shelves at home, from history (The World at War;The Rise and Fall of the Roman Empire; The Third Reich), fiction (The Lord of the Rings, all the novels of Thomas Hardy), complete Shakespeare and most useful for my development as a writer and poet, the works of Dylan Thomas and James Joyce.Continue reading Interview | Chris McCabe @mccabio | Author of the Week
Are (were) your parents great readers? Tell us a bit about yourself. My Mum is a big reader of Crime Fiction. It helped her solve a real life crime while she was working in a Kenyan orphanage a few years ago. They were both “people of The Book,” hosting Parish Bible studies. This made them more learned than the average parents. The Church was my first exposure to people with higher education. I read a lot from a very young age, I had a box of those cassettes with ding turn the page books. I would put the headphones in myself and read for hours. I remember making a zoo out of envelopes. Each one contained a different animal.
Did you want to work in the publishing industry from the start? If not, why now? No, but something I wanted to do as a Writer was understand every dimension of books. I studied Sculpture because I thought this would teach me about composition in a more general sense than doing English or Creative Writing. I went on to become a master bookbinder and printer too. I became a publisher partly because I wanted to understand, and maybe undermine, distribution and bookselling. It’s another extension to my writing. I guess that’s what it means to be a Modernist in an industrial, networked world. Why now? We were invited in by big publishers a few times to consult, using our publishing methods. We also worked on several print commissions in our studio for Independents. One title we illustrated is almost at the Million Copies mark. We realised we had an extraordinary range of expertise and there were so many good manuscripts I knew of being turned down for bad reasons. The Poets made me do it!Continue reading Interview | David Henningham, co-founder, Henningham Family Press | Indie Publisher of the Week
Much excitement, relief and exhaustion here at BookBlast as the 10×10 tour of superb #indiepubs around the regions of England is drawing to a close, as we approach Liverpool and finally Manchester. You can buy tickets HERE
Our monthly round up features five eclectic reads coming to you from France, Italy, New York and the Indian Ocean @BelgraviaB @maclehosepress @pushkinpress
Little by Edward Carey (Gallic/Aardvark Bureau) buy here
“In the same year that the five-year-old Wolfgang Amadeus Mozart wrote his Minuet for Harpsichord, in the precise year when the British captured Pondicherry in India from the French, in the exact same year in which the melody for ‘Twinkle, Twinkle, Little Star’ was first published, in that very year, which is to say 1761, whilst in the city of Paris people at their salons told tales of beasts in castles and men with blue beards and beauties that would not wake and cats in boots and slippers made of glass and youngest children with tufts in their hair and daughters wrapped in donkey skin, and whilst in London people at their clubs discussed the coronation of King George III and Queen Charlotte, many miles away from all this activity, in a small village in Alsace, in the presence of a ruddy midwife, two village maids, and a terrified mother, was born a certain undersized baby.”Continue reading BookBlasts® | Top 5 Reads for Independent Minds | October 2018
The tenth and last talk of this year’s inaugural BookBlast® 10×10 tour, a nationwide celebration of independent publishing is @WaterstonesMCR featuring Carcanet Press which was conceived at Pin Farm, South Hinksey, Oxford, in 1969 by Peter Jones, Gareth Reeves and Michael Schmidt. Carcanet Press primarily publishes poetry. In 2000 it was named the Sunday Times millennium Small Publisher of the Year.
On Thurs. 8 November at 6.30 p.m., Michael Schmidt, a founder-director @Carcanet will chair the discussion @WaterstonesMCR with poets Jane Draycott and Jenny Lewis; talk theme: Claiming the Great Tradition: Women Recalibrate the Classics.
Meet Jane Draycott in person at the tenth and final BookBlast 10×10 Tour talk at Waterstones, Manchester, Deansgate @waterstonesMCR 6.30 p.m. Thursday 8 November. Theme: Claiming the Great Tradition: Women Recalibrate the Classics. In conversation with Michael Schmidt @Carcanet, chair, and poet, Jenny Lewis. Book Tickets
Tell us a little bit about yourself. I’m a poet who’s come late to translation and I wish I’d started much much sooner. I teach on a number of different creative writing courses and if I had one thing to advise poetry-writing students it would be to try poetic translation, to discover from the inside the many possible poetries beyond the one in your own ear – soon!
When you were growing up, what books had an impact on you? Corny but true: Henri Alain-Fournier’s Le Grand Meaulnes; and around the same time, the short stories of Edgar Alan Poe – something in both of those about the fateful and the mysterious which struck me then and has stayed with me. Continue reading Interview | Jane Draycott, poet & translator
Meet Jenny Lewis in person at the tenth and final BookBlast 10×10 Tour talk at Waterstones, Manchester, Deansgate @waterstonesMCR 6.30 p.m. Thursday 8 November. Theme: Claiming the Great Tradition: Women Recalibrate the Classics. In conversation with Michael Schmidt @Carcanet, chair, and poet & translator, Jane Draycott. Book Tickets
Where were you born, and where did you grow up? I was born in Pembury, Kent and grew up in London.
What sorts of books were in your family home? Milton, in his Areopagitica, advises us to read “promiscuously” and, as a somewhat lonely, post-war London child, I did just that, reading voraciously anything I could lay my hands on from my grandmother’s leather bound classics (Shakespeare, Dickens, Tennyson …); dictionaries; encyclopedias; my father’s old medical books; the modern novels I found on my mother’s bedside table (The Moon and Sixpence by Somerset Maugham, A Town Like Alice by Nevil Shute) to children’s books such as Robert Louis Stevenson’s A Child’s Garden of Verses, Anna Sewell’s Black Beauty, comics (The Beano, The Dandy) and, of course, Kellogg’s Cornflakes packets and, most memorably, tins of Tate & Lyle’s Golden Syrup with the picture of a lion surrounded by bees and the legend “Out of the strong came forth sweetness” which puzzled me. Was the lion dead or just sleeping and why were the bees swarming over him? One of life’s great moments was when I realized there were such things as libraries where there were thousands of books to be borrowed. From then on, I half lived in the Hammersmith Library near where we lived. Continue reading Interview | Jenny Lewis, poet